NUEVA VIDA (NEW LIFE) 

A woman and a man are taking care of a baby on the top floor of an apartment building. The camera lens finds them in strong shades of red and grey as they bathe the baby on the roof terrace, eat a watermelon, and lie in bed in front of the open window on a still hot night, all the while turning us, at times discomfortingly, into observers watching from an indeterminate, distant position. Kiro Russo shows a seemingly well-adjusted small family in the midst of city architecture. Late at night, the routine begins to falter.